Christopher Lydon, the brilliant host of the Open Source radio program, hosted a program tonight in honor of the Harold Ramis/Bill Murray movie “Groundhog Day.” It’s one of my favorites and one of my wife’s favorites, which is really nice because we don’t always like the same movies.
Lydon is a huge fan of the movie and feels, as I do, that it will be an enduring classic of American art. The question of the show was, “Why?” Lydon described the observers who call it a Buddhist fable, in which Bill Murray’s character suffers an endless cycle of rebirth until he finds redemption. Harold Ramis, the director and co-writer, talked about the cycles Murray’s character, Phil, goes through when he finds he’s trapped in the same repeated day: hedonism, manipulation, rage, impotence, resignation, and then grace.
Stanley Cavell, the Harvard philosopher, who loves the movie, talked about mourning in relation to the film. Mourning, he said, is fundamentally a condition relieved by repetition. We go back to the location of our pain again and again until we learn how to handle it.
Mostly, they all agreed, it’s about accepting the gift of managing days, experiences, and lives that are fundamentally routine and ordinary on the one hand and beautiful on the other. I think the movie’s point is that desolation yields to generosity.
There is no cheap Hollywood myth here. Instead, there’s the oppotunity to see our ordinary experience as our chance to make something special of ourselves and our world. Murray’s weatherman grows poetic when he finally accepts his fate. He embraces all that Punxatawny is, rather than lament all that it isn’t. I’m going to work on that, my dread of the ordinary.
Ultimately, the commentators decided, we can’t change our circumstances without changing our approach to them.
“This is the day which the Lord hath made; we will rejoice and be glad in it” (Psalms 118:24).
Happy Groundhog Day.